Jeanette Lamb
Jeanette is a writer, visual artist, and professor; she explores memory, identity, at the intersections of art, philosophy, and public life. With a background spanning Europe and the United States, she brings together academic research, artistic practice, and cultural diplomacy to create spaces where history and contemporary experience meet.
Her visual work — painting, photography, and mixed-media installations — often draws from archives, letters, and overlooked histories, transforming them into poetic reflections on time, loss, and belonging. Exhibited internationally, her pieces have appeared in galleries, cultural institutions, and collaborative salons exploring memory and human rights.
As an educator, she has taught art history, philosophy, and cultural studies at universities in Europe and the United States. Her academic work bridges research and practice, linking historical inquiry with contemporary cultural conversations and digital humanities initiatives.
She is the founder of Digital History Projects, and (upcoming) EchoLines Studio, a platform for digital history and artistic experimentation, and (upcoming) NetShield, a project addressing online harm and digital safety through research, advocacy, and storytelling. Both reflect her commitment to cultural dialogue, technology, and human rights.
Jeanette also curates private salons and public conversations at the intersection of art, politics, and ideas — gatherings that bring together diplomats, scholars, artists, and activists in spaces of intellectual and cultural exchange.
Christina Lowe
Christina Lowe is the co-founder of Digital History Projects, where she merges narrative craft with strategic vision to explore how stories—especially those on the margins—shape our historical consciousness. With a background that spans Hollywood screenwriting and investigative documentary work on a high-profile missing person case in Chicago, Lowe brings over 15 years of experience at the intersection of media, business, and technology.
As a Marketing, Media, and Creative Consultant, she has helped launch and scale media startups while also advising established companies on branding, storytelling architecture, and audience engagement. Her work is defined by an ability to translate complex histories into compelling, accessible narratives across digital platforms. At Digital History Projects, she champions projects that challenge dominant media frameworks and foreground the voices often left out of traditional archives.
Michael Rosenblum, director (DHP): a pioneer in the democratization of visual storytelling. A television producer and media innovator, Rosenblum spearheaded the development of the first major video journalist–driven local news network at NY1 in New York City, establishing a model that redefined the relationship between reporter, camera, and audience. His leadership extended globally as he trained newsrooms at the Voice of America, The New York Times, the BBC, McGraw Hill, Dutch and German public broadcasters, and numerous other media institutions seeking to shift toward decentralized, journalist-operated video production.
Rosenblum was also the founding president of New York Times Television, where he helped bridge legacy journalism with emergent media forms. Through his company, RosenblumTV, and ventures such as the Travel Channel Academy, NYVS (an early online film school), and the Rosenblum Institute in Brussels, he has educated thousands of individuals in the tools and ethics of narrative sovereignty through video. His most recent project, OutwildTV, draws inspiration from National Geographic and furthers his vision of accessible, field-based visual exploration.
Across his work, Rosenblum promotes the philosophy that video—like the written word—should be in the hands of everyone, not just the media elite. In this, he continues to shape the contours of digital storytelling and empower a new generation of documentarians, citizen journalists, and media historians.
Digital History Projects 